If the audio consists of only music, make it even shorter, as there isn’t a narrator or script moving your story forward. ![]() ![]() This is considered the maximum span of time that people will spend watching your video online. Especially if you’re planning, filming and editing for your video, it’s best to keep your video under 5 minutes. Unless you’re working on a major marine documentary production with a film team, it’s best to keep your video short and simple. You might want to use it again for a future video. Also, store all of your footage on a hard drive, even if you’re not using it in your current project. It will save you tons of editing time, as you won’t have to go through all of the footage to search for one specific clip each time. Make sure you know where each clip is stored. Use a filing system that works best for you. Once you have all of your raw footage, tag and name them in different folders on your editing program. They use Lumetri Color, with sliders to adjust every colour setting from hues, tints and temperatures to white balance, exposure and saturation. Premiere Pro has a very user-friendly and effective colour correction settings. On Final Cut Pro, you have several colour adjustment balls that you can use to change the colour, tint and temperature. The best and quickest source of video soundtracks is a royalty-free music library from where you can download and use beautiful music for free. In this way, the audio and the footage work in harmony that makes for a successful underwater video. Place the shots according to movements in the music, or to what the narrator is speaking about. If you know this early on, you’ll also have an idea of how your editing sequence will look like. Audioįirst, decide if you are making a short underwater video snippet with just a chilled soundtrack, or a longer documentary film with narration and music. Choose only the best shots for your story. Take as much footage as you can, and go through all of it when you edit. You work with the script or audio to make the images flow into one another – not necessarily in the order the footage was taken, but in the order that will tell your story in the best way. There is an art to editing the footage you have into representing a story. For instance, if you choose a starfish as a character, you’ll need more footage of starfish than of the other marine animals you encounter. For this, you will have to make sure you get all of the shots needed for your story. In addition, you might need to do some research and write a script beforehand if your video will have narration. You have to know what your story will be before you start filming. This is why it’s important to have a good story weaving your footage together to make it interesting and appealing. The story element is what draws the viewer in. ![]() The essence of a documentary video is to represent a piece of biological information in the form of a story. While Premiere Pro is more expensive, the colour tools are better for underwater video editing than Final Cut Pro’s (see tip 5). It won’t give you the same quality or features and might contain a watermark, but it’s ideal for practising your editing skills as an amateur. ![]() If you’re only starting out, there are free video editing software options on desktop and mobile. Though Premiere Pro also works best on an Apple computer, you can use it on a PC as well. Two other popular editing programs for underwater video, with GoPro or other cameras, are Adobe Premiere Pro and Adobe Final Cut Pro. It’s easy to use and specifically designed for GoPro footage. Choosing and editing programĪ lot of videographers are happy with GoPro Studio for editing underwater GoPro videos. All of these details make the editing process much easier. Film a scene for long enough so you have a decent amount of footage that’s not shaking or blurry. If you’re filming a fish swimming, ensure it enters and exits the frame of the shot. Get enough wide, mid as well as close-up shots of marine life. In other words, make sure you shoot in the best light possible. If you’re constantly thinking about what will work during the edit, you’ll automatically focus on getting the necessary shots. While you’re filming, it’s important to keep in mind that you’ll be editing this footage later.
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